REWIRE, CUE Art Foundation, NY, NY. September 2nd - 29th, 2020.

Curated by Kathy Butterly

(*This exhibition and catalogue were originally planned for April, 2020. Both were completed before COVID).

REWIRE, Installation view. — *REWIRE*, Installation view.

IN/HALE/EX, 2019, 130” x 75”, cotton, wool, acrylic, chenille, metallic fibers.

IF ONLY, 2020, 82” x 102”, cotton, hemp, acrylic, wool, chenille, metallic fibers. — *IF ONLY,* 2020, 82” x 102”, cotton, hemp, acrylic, wool, chenille, metallic fibers.

ENOUGH, 2019, 77” x 72” cotton, acrylic, wool, chenille, metallic fibers. — *ENOUGH,* 2019, 77” x 72” cotton, acrylic, wool, chenille, metallic fibers.

Your heart is the size of your fist, 2020, 62” x 70”, cotton, wool, acrylic, chenille, metallic fibers. — *Your heart is the size of your fist*, 2020, 62” x 70”, cotton, wool, acrylic, chenille, metallic fibers.

AWE/FUL, 2018, 45” X 64”. Wake Up, 2018, 49” x 69” (acrylic, wool, cotton fibers) — AWE/FUL, 2018, 45” X 64”. *Wake Up,* 2018, 49” x 69” (acrylic, wool, cotton fibers)

Green Placebo, 2019, 74” x 41”, wool, acrylic, cotton fibers with Stained Glass. — *Green Placebo*, 2019, 74” x 41”, wool, acrylic, cotton fibers with Stained Glass.

REWIRE, Installation View Entrance. — *REWIRE*, Installation View Entrance.

PAUSE, 2020, 132” x 50: wool, acrylic, cotton, chenille, metallic fibers. — *PAUSE,* 2020, 132” x 50: wool, acrylic, cotton, chenille, metallic fibers.

REWIRE, Hallway into main gallery. — *REWIRE*, Hallway into main gallery.

Singing off Key, 2019, 25” x 29”, cotton, wool, acrylic, chenille, metallic fibers.

Angry Joy, 2019, 26” x 29”, cotton, wool, acrylic, chenille, metallic fibers.

Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get them in front of Issuu's millions of monthly readers. Title: Terri Friedman: Rewire. Curated by Kathy Butterly, Author: CUE Art Foundation, Name: Terri Friedman: Rewire.

Catalogue for REWIRE including essays by Kathy Butterly and Alexis Wilkinson.